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Philip Morris U.S.A.
03:44
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Sometime, Somewhere
03:23
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Neon
03:04
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24
04:59
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Moonflower Delaware
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supported by 5 fans who also own “Feel It Too”
introduced me to -core music and hc in general. awesome album
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supported by 5 fans who also own “Feel It Too”
The title track pulled me into Slow Crush's orbit, but Tremble held me there - alongside Lull from the Hush LP and the whole of Seasurfer's Dive In, it can send me into an altered state of consciousness. The album vibrates with hints and nudges, from Slowdive twangs to a Corgan-esque chord shift, but Slow Crush are their own sound - thick, dark melodic, etherealistic soundscapes with Isa Holliday's vocals both binding the music and rising above it. One of the best bands in years.
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Springtime and Blind
by Fiddlehead
supported by 5 fans who also own “Feel It Too”
A friend with a reliably fine musical taste posted this album on FB and I wasn't disappointed. Love the guitar sound and the passionate vocals (melodic enough to not pass as screamo or whatever). Punk rock spirit yet with a lot of dynamics (definitely a yes to the Dischord reference) and compact songs that won't leave your head for a long time. Many many great tunes on here but for the moment USMA and Lay Low have to be my favorites! Great band, very happy to have found them!
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Searing heavy indie that’s as brutal as it is melodic, with honeyed vocal harmonies swimming through stormy riffs.
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Bracing post-hardcore meets festival-ready rock on the Tokyo band's sharp new EP, mixed and mastered by Will Yip (Turnstile, Title Fight).
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Melodic post-grunge that eschews all of the negative connotations of that phrase and embraces all the positives: huge hooks, huge-r riffs.
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